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Selasa, 05 September 2017

Free Ebook , by Joanne Fluke

Free Ebook , by Joanne Fluke

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, by Joanne Fluke

, by Joanne Fluke


, by Joanne Fluke


Free Ebook , by Joanne Fluke

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, by Joanne Fluke

Product details

File Size: 1150 KB

Print Length: 370 pages

Publisher: Kensington (February 26, 2019)

Publication Date: February 26, 2019

Sold by: Penguin Random House Publisher Services

Language: English

ASIN: B07DBQYT2W

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Amazon Best Sellers Rank:

#4,900 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I've read all the books in this series and until the last few, I had been enjoying them. However, the stories just aren't as interesting as they used to be and the "who done it" isn't that hard to figure out.In Chocolate Cream Pie Murder, Hannah has decided to tell the town the truth about Ross at the end of a Sunday church service. That is far from the end of it though as Ross is still causing trouble and stress for her when he shows up in town a few days later.The exact reason behind the murder in this book wasn't fully obvious but I strongly suspected part of it and knew who would be killed and who did it LONG before the murder actually occurred. The first 3/4 of the book takes place over 8 days in February as Hannah is still trying to deal with the aftermath of her learning the truth about her "marriage" to Ross a few month earlier. Once the murder finally occurs, it is solved in a day or so over a couple of chapters. Then the (sadly) very predictable final chapter and we are left once again to wonder what will happen in yet another book. Yawn....A few thoughts on plot points:I do like the rapport between the main characters. I also like the occasional bits of humour thrown in by various characters. That being said, I do cringe when Delores gets on one of her criticizing streaks about how Hannah dresses or does her hair/makeup. Delores may think it is well intentioned but it comes across as Hannah not living up to Delores's expectations. Hannah is her own person and should dress/appear as she is comfortable.This book seemed to have more filler than usual - not just in recipes but in things that just took up space rather than advancing the plot. I'm not referring to Hannah and friends being stuck at the condo during the blizzard - that was an interesting dynamic. Instead, I felt that the following three segments could easily have been cut and replaced by real plot development.1) Delores asking Hannah to come up with an appetizer for her and Stephanie Bascomb, the ensuing discussion on sugared grapes, Hannah's trip to the Red Owl and the recipe.2) Readers all know that Moishe and Cuddles love to have their chase in Hannah's condo. Full out details of the (usual) three laps ONCE per book is more than sufficient. Any more than that is filler.3)The stress on Hannah is obvious but trying to express it in a dream sequence is lame and tired. Ms Fluke had done this in the past and it just feels like it was forced and inserted as an excuse to bring in yet another recipe.In the more recent books it seems that Ms Fluke has been trying to be more of a cookbook author than cozy mystery author. The actual story and plot seems to get thinner and the recipes more plentiful and detailed. Most of the recipes list the brand name for some of the ingredients which makes me wonder if she is being paid for naming the brand or receiving free/discounted merchandise in return. Most recipes include extremely detailed directions geared to a novice cook which is fine for some but rather boring for more experienced cooks. With the Kindle version of Chocolate Cream Pie Murder there was no recipe index at the beginning or end so if you didn't bookmark it, good luck finding any of the recipes you may actually have been interested in trying.Personally, I'd prefer to see ALL of the recipes at the END of the book rather than stuffed in at the end of almost every chapter. It would be far less disruptive to the flow of the story if you could just keep reading rather than having to flip/scroll through several pages of recipe info before finding the next chapter. Then again, if Ms Fluke were to put all the recipes at the end, it would be a bit too obvious how little of the book was actually dealing with the story. It's hard to tell from the Kindle edition, but my guess would be at least 25% of this book is the recipes - probably more.Yes, Hannah owns and operates "The Cookie Jar" but you don't have to share every recipe mentioned in every book. Pick a few - maybe 6-10 and put them at the end of the book. Then every few years release another Lake Eden Cookbook for those who want it all.

I've read every Hannah Swensen book and this one was a big disappointment. Nothing happened for 3/4ths of the book and then they rushed a murder and solving it at the end. The plot was ridiculous and it truly seemed like a filler until the next novel comes out. I'm truly tired of the writer drawing things out so that there are more questions than answers at the end. Hannah's love life is pitiful and I'm over it. It's a shame because I read the books because I really enjoy the characters. I'll likely look for the next book at the library instead of pre-ordering like I've done with the last three books.

This was the worst book I have read in a long while. The writing is so elementary, way too many recipes and too repetitive. No mystery build up...felt like it was written by a twelve year old. Amazing how she painstakingly told us how to cook all the recipes and then repeated the recipe and directions at end of each chapter. I was so disappointed and I do not care that she left a truly teenage cliffhanger at the end...I will not read another of her books.

Too many recipes and not enough substance with this story. Will not purchase future books but check out from library.

I have followed this series from the beginning but her writing is starting to get very frustrating. This book was more about food and recipes than getting to the plot. Even the debates Hannah had between herself got to the point that I skipped over them. I'm tired of her waffling between Norman and Mike and now that she's probably pregnant, that's going get even worse. I think I'll just stick to Nora Roberts and Mary Higgins Clark for my romantic mystery fix. At least they haven't gotten into the soap opera thing. Hopefully they never will.

This is the last Hannah Swenson mystery I will ever read. I’ve read every one of these mysteries and I have no idea why they have become more like cookbooks than mysteries. Every conversation seems to be some description of some food that Hannah or Michele are coking, baking or thinking about cooking or baking. It is completely unrealistic that someone would get up in front of a church congregation to discuss something so personal and so nobody’s business! I also became so annoyed that Hannah has gone from gutsy, smart business woman to a milk toast fainting all over the place. It seems like this book was written by 3 different people. The ending was also ridiculous and seemed like it was thought of in 5 minutes because it’s time to wrap up the story. There were absolutely no surprises in this at all. I knew what Hannah’s stomach issue would be about the first time she felt sick. A real lack of imagination and I have no interest in pursuing how that turns out. I am really, really disappointed in this book and I feel duped by the author. No more Hannah Swenson for me.

I’m a fan of this series, but after 24 books, I sometimes feel irritated with Hanna’s lack of personal knowledge (has she read nothing but cookbooks since she left college?) and her relationship with Norman and Mike. Also, this book a long time to get to the actual mystery and the wrap up ( I.e.: figuring out who was the killer) was rushed. In all, this book seems like a place filler between books 23 & 25. If you like the series, then I’d recommend the book for answering the questions from book 23. Just assume that it’s not as suspenseful as some of the others

The last couple books have been more like short stories than a full book. Story line is rushed and predictable— no suspense left at all. Author more concerned with including a cliff hanger for the next book than developing the story. As short as these books have become, there should be a new one every couple months instead of maybe once a year.

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Senin, 07 Agustus 2017

Free Download The Legend of the Snow Pookas, by Scott E. Sutton

Free Download The Legend of the Snow Pookas, by Scott E. Sutton

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The Legend of the Snow Pookas, by Scott E. Sutton

The Legend of the Snow Pookas, by Scott E. Sutton


The Legend of the Snow Pookas, by Scott E. Sutton


Free Download The Legend of the Snow Pookas, by Scott E. Sutton

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The Legend of the Snow Pookas, by Scott E. Sutton

From School Library Journal

Grades 1-3--A long, rambling story told in rhyme. After teaching his class about Planet Ree's northern area, Wizard Dundee and his assistant Jeeter set off to explore it and meet the Snow Pookas and other creatures that live there. The point of it all soon becomes completely lost. According to the publisher, "This story is about Take care of children and respect and help parents." It is full of glaring language inaccuracies, misspellings, an impossibly confusing cast of characters, and two-stanza refrains that fall far short of rhyming. Garishly colored cartoons fill the pages and endpapers with clutter. This didactic effort fails miserably on all counts.Sally R. Dow, Ossining Public Library, NYCopyright 2002 Cahners Business Information, Inc.

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About the Author

Southern California native Scott E. Sutton speaks with 10,000 kids per year about art and education. His work has been honored with the International Reading Association Award for Exemplary Service in the Promotion of Literacy and the President's Recommended Selection from the Society of Writers at the United Nations. He and his wife Susie recently moved to Austin, Texas.

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Product details

Age Range: 6 and up

Grade Level: 1 - 2

Hardcover: 48 pages

Publisher: Action Publishing LLC (January 1, 2010)

Language: English

ISBN-10: 1888045140

ISBN-13: 978-1888045147

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 14.6 ounces

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#622,729 in Books (See Top 100 in Books)

I have been selling this book and others in the Family of Ree series out of my art gallery for many years. They have been favorites with my customers. In fact, I have even had kids who grew up on these books who are now buying them for their own children. These are also a favorite amongst educators and teachers. The teachers have told me that the kids really respond to the rhyming and bright colorful illustrations. And the common sense values have been a big hit with the parents.The Legend of Snow Pookas is a really fun story whether you are reading to your kids or they are reading it for themselves.

I bought this book at an Art Fair for my 8 year old daughter and she loves it. She wants me to buy all of the others in the series. She was intrigued by all of the characters and read all 8 chapters in one sitting. This book was imaginative and creative and I can completely see these characters being turned into a children's movie.

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Kamis, 03 Agustus 2017

Download PDF

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Product details

File Size: 1433 KB

Print Length: 264 pages

Page Numbers Source ISBN: 0472051458

Publisher: University of Michigan Press (July 28, 2011)

Publication Date: July 28, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0100RAXOA

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Amazon Best Sellers Rank:

#570,135 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

An outstanding book. Far and away the best book on the subject out there.

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Rabu, 02 Agustus 2017

PDF Ebook Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner

PDF Ebook Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner

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Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner

Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner


Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner


PDF Ebook Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner

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Automate This: How Algorithms Came to Rule Our World, by Christopher Steiner

From Booklist

The Arab Spring of 2011 did not surprise analyst Bueno de Mesquita, who in May 2010 predicted that Egyptian strongman Hosni Mubarak would fall within a year—basing his prediction on the workings of an algorithm. As readers follow Steiner in his whirlwind tour of algorithm applications, they will marvel at the versatility of a mathematical tool understood only by a small circle of experts. Readers peer over the experts’ shoulders long enough to trace the decision-tree logic of an individual algorithm and to follow the cascading dynamics of the linked algorithms that drive the “bots” now handling everything from putting astronauts into space to matching compatible personalities venturing into the dating scene. Steiner acknowledges that a world reliant on bots must cope with new challenges—flash crashes on Wall Street, unemployment among accountants, dangerously powerful technocrats. Still, Steiner remains hopeful that resourceful computer whizzes will weave algorithms that will enrich and safeguard our future. An accessible foray into computer programming that has become a hidden but pervasive presence. --Bryce Christensen

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Review

“[Steiner] excels in bringing a dry subject to life.”—Financial Times"As readers follow Steiner in his whirlwind tour of algorithm applications, they will marvel at the versatility of a mathematical tool understood only by a small circle of experts. Readers peer over the experts’ shoulders long enough to trace the decision-tree logic of an individual algorithm and to follow the cascading dynamics of the linked algorithms that drive the “bots” now handling everything from putting astronauts into space to matching compatible personalities venturing into the dating scene…. An accessible foray into computer programming that has become a hidden but pervasive presence."—Bryce Christensen, Booklist“Algorithms are affecting every field of human endeavor, from markets to medi­cine, poker to pop music. Read this book if you want to understand the most powerful force shaping the world today and tomorrow.”—Andrew McAfee, principal research scientist, MIT; coauthor of Race Against the Machine“Christopher Steiner knows how to find terrific stories and tell them well. He has written a lively narrative with humans at its center. To be sure, its subject is important, but the book is also fun.”—Randall Stross, author of Planet Google and The Launch Pad

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Product details

Hardcover: 256 pages

Publisher: Portfolio (August 30, 2012)

Language: English

ISBN-10: 1591844924

ISBN-13: 978-1591844921

Product Dimensions:

6.5 x 1 x 9.8 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

142 customer reviews

Amazon Best Sellers Rank:

#667,097 in Books (See Top 100 in Books)

Automate This is a journey into the world of anything that can be automated, from stock picking to medical diagnosis. The author, Christopher Steiner, excels in telling stories and bringing interesting anecdotes to the reader. Although focused on the trading world, the book explores topics such as automated music creation, geopolitical analysis and poker playing.Automate This is about the stories and business applications of machine learning. It’s a pleasant reading for both people in the field and others. Practitioners will find interesting applications of machine learning, although without any technical details. People outside of the field will get a feeling of what can be done with data mining algorithms.Out of the second chapter, about the history of man and algorithms, I found the book really enjoying. Steiner’s book is also telling the story of Quants moving from the finance industry to the Silicon Valley. In summary, Automate This is an excellent book about machine learning, without mentioning it (the author uses the word “automated” for machine learning). Highly advised to anyone interested in knowing how machine learning is changing our world.

I kept hearing this book referenced as a must-read look at the history of machine learning and AI. It is. The author shows the evolution of AI and machine learning more specifically industry by industry. It is a wake up call and call-to-arms not to fear the change which is at any rate happening and inevitable, but embrace reality to succeed in this brave new world. One word: algorithms. I loved everything framed along an historical framework being a history enthusiast. But as an artist and working in digital marketing strategy I truly appreciated this book's message and level-setting the background of everything I'm experiencing personally and professionally.Artist or marketer or strategist = must-read.

Algorithms are controlling us more and more. That algorithms can do routinized tasks we already know. Now they can produce and play a symphony à la Beethoven. We are discovering that creativity entails more routines than we was expecting. In fact, all dynamics, however complex and non-linear, have linear dimensions – this is the entry for methodic formalizations. We can do that in positivist mood, reducing complexity to invariant formulae. But we can do that as methodological ability to understand a complex phenomenon by its linear approaches. It’s vey impressing that a computer can easily beat chess champions, do good music, standardize human behavior etc. There is, in the background, a hard epistemological question: the mental tendency to approach complex problems by ordering them theoretically (in logical-experimental format) (we only understand what is ordered, logic, measurable), is it a necessity, an ability, or a defect? Do we understand variation only when we discover how variation invariably varies? Algorithms may suggest it. We are more programmable than we think! Very nice book.

I really enjoy the aim of this book -- to explain how algorithms play such an important role in different areas of our lives. Case studies help add context to what might otherwise be an abstract mathematical musing. But I find the average Joe-oriented approach to come with unintended consequences. The writing is simply hyperbolic. It makes each incremental advancement in automation out to be the apocalypse. Options traders are using options -- well let's pack up and call it a day! Euler started mathematics from a young age -- what a genius! What a remarkable young mind!!The author, lacking a more meaningful approach to this subject matter, decided to dramatize it as if to catch our attention. Duly noted, and poorly received.

If you don't know what an algorithm is and are afraid to ask, you should read Christopher Steiner's book `Automate This', which answers the question in terms that are easy to understand. An algorithm is a specific set of instructions for a computer or a machine to carry out. Steiner shows that algorithms are ubiquitous, and they are behind things you wouldn't expect, like the music you listen to, the prescription medicines you take, even the games you play. Algorithms are playing increasingly large roles in our lives, and it's interesting to know how these mathematical models are being applied to everyday tasks and how they might shape our future.The book opens with the story of Thomas Peterffy, one of the first people to get rich using algorithms. He is one of the major innovators in automated trading, developing algorithms that compare security factors and issue buy and sell orders whenever the market is right. This system is much more efficient than using traders in the pit, sidestepping the human element and performing Peterffy's trades at the speed of light. In 1987, Peterffy directly connected the NASDAQ terminal to his trading computer. This scheme was perfect until the FTC (Federal Trade Commission) shut down the operation, insisting that he couldn't tap directly into the NASDAQ cable, because it gave him an unfair advantage over human traders. Not wanting to lose millions of dollars, Peterffy wasted no time in making a machine that could read prices off the NASDAQ terminal using a camera, and type in orders via a machine that physically typed out commands on a keyboard. Because this technology was so new, there wasn't any way that the FTC could insist on having to get a human to type out commands.Steiner shows how Algorithms are being used to write prescriptions to overcome the limitations of human doctors. These prescriptions will be handled by IBM's `Watson', a computer famous for beating Jeopardy! champion Ken Jennings. Watson now has algorithms that can `read' your expressions and determine what a patient is trying to say. By overcoming bias and easy answers, Watson can find out if a patient has a rare disease that human doctors would not normally detect.In another example, Steiner explains how Jason Brown, a guitar-playing mathematician, used algorithms and audio equipment to figure out the exact notes of the opening chord to the Beatles' "A Hard Day's Night." Until a few years ago, nobody had ever been able to figure out exactly what notes lead guitarist George Harrison was playing. Brown discovered that the recording was actually a combination of notes played simultaneously by Harrison and John Lennon on guitar, and George Martin on the piano. Now, Pandora and other music recommendation sites use the same kind of algorithms to figure out what kind of music you're likely to listen to.The information is presented in lay terms for anybody interested in data and programming, and Steiner presents entertaining and inspiring anecdotes that build the background for the algorithms. Steiner's optimism about the future of us and algorithms along with his concise explanations make the book very enjoyable to read and easy to understand. `Automate This' does a great job of explaining the uses and possible innovations for algorithms, from Wall Street to music to social media.

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Minggu, 09 Juli 2017

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File Size: 13090 KB

Print Length: 257 pages

Publisher: Auckland University Press; None edition (September 19, 2016)

Publication Date: September 19, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01LZT4TPV

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Amazon Best Sellers Rank:

#335,217 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Download Ebook Rails Across Canada: The History of Canadian Pacific and Canadian National Railways, by Tom Murray

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Rails Across Canada: The History of Canadian Pacific and Canadian National Railways, by Tom Murray

From the Back Cover

Few stories in the annals of railroading are as compelling as the construction, evolution, and astounding successes of the Canadian Pacific and Canadian National railways. This sprawling volume combines two of Voyageur Press' most successul Railroad Color History titles into one volume taking in the grand scope of both roads. Author Tom Murray presents fastidiously researched and concisely presented histories of each railroad, along with more than 300 photographs, including rare archival black-and-white images and modern and period color photography sourced from national archives and private collections. The result is a handsome tribute to two of North America's greatest industrial achievements, not to mention the awesome scope of the Canadian landscape, from the Maritimes to Vancouver Island.

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About the Author

Tom Murray is the author of several well-received Voyageur Press Railroad Color Histories, including Canadian Pacific Railway, Canadian National Railway, The Milwaukee Road, Southern Railway, and Chicago & North Western Railway. He lives in Santa Maria, California.

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Product details

Paperback: 320 pages

Publisher: Voyageur Press; UNABRIDGED edition (March 7, 2011)

Language: English

ISBN-10: 0760340080

ISBN-13: 978-0760340080

Product Dimensions:

8.8 x 1 x 11 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.5 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#2,112,583 in Books (See Top 100 in Books)

For all those who either can't find or can't afford the earlier hardcover MBI Railroad Color History books on Canadian Pacific or Canadian National by Tom Murray, here is a much cheaper alternative - especially considering the high $75 to $300 prices some want for the earlier out of print versions. This book is the exact same contents of both of those 2004-2006 books combined, but now with a different softer cover. The only people I can see being upset about this new version are those who paid elevated prices for the hardcover versions, or those now trying to get steep prices for those because they are out of print.And by the way, anybody taking the time to read either the copyright page or the table of contents page (both of which Amazon has in the Look Inside preview) should have realized this book to have been a newer 2011 version of the old 2004 and 2006 separate books. Those who didn't and are upset about the duplication can always try to sell their hardcover versions and get back their money on them.

Fitting two books into a single volume unites the entire story of Canadian rail into a single story. Previously, the story of the Canadian Pacific railroad and the Canadian National railroad were two different volumes in tis series. Having purchased the suingle voume on the Canadian National railroad, I was eager to obtain and read the volume on the Canadian Pacific railroad. I did so purchasing this combined volume and as I read the book, I became aware of the intrelationship of the two railroads in Canadian history.

This is two books into one, with a section each for both CN and CP. The great photos are worth the price of the book alone. American readers might be surprised in how much both companies figure in US rail history including Grand Trunk and Illinois Central both owned north of the border. Hopefully, some time soon, all North American railways will get back into the passenger business, it just might start making money for them, and anything beats being in a sardine can.

This book is essentially a combination of the Railroad Color History Series books Canadian National Railway and Canadian Pacific Railway both by Tom Murray, and published by Voyageur Press. The Railroad Color History Series books published by Voyageur Press are Excellent Railroad books that give you great histories of the railroad companies from their creation to present day without boring the reader to death with the Corporate Demographics, and the politics of the company but instead give you a straight forward and understandable history of the Railroad companies with amazing photography as well. I highly recommend this book and all the books in this series to Railroaders, Railbuffs, model railroaders, and to anyone who has interests in Railroads and trains in general.

Very well written. History coinsides with other books I have read plus this one has a lot of interesting photos.

very good

Most interesting description of the growth of railways in Canada.

This would be a great book if it were an original publication. However, it simply repackages two already published older books in one volume. And if you already have those other books on the CP and CN, you merely get a duplicate, without even an update. I feel cheated, that's why I give it one star only. As it comes with a different cover and completely different title, how can one see that it's nothing new; what a turn-off to buy other books from this publisher.

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Senin, 26 Juni 2017

Free Ebook , by A. J. Banner

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Product details

File Size: 2159 KB

Print Length: 206 pages

Publisher: Lake Union Publishing (September 1, 2015)

Publication Date: September 1, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00T8RIK7G

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Amazon Best Sellers Rank:

#7,631 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I truly hate to diss on any author's hard work, but this book read like fan fiction. The story was contrived, and although billed as a thriller, it was too formulaic to "thrill". The main character was too whiny and over eager to see her husband as capable of infidelity. I was hoping he'd leave her just to keep her quiet! The characters were superficial, and unfortunately the dialogue read like something a first year creative writing student would write. I raced through it (skimming most of it to avoid the superfluous story lines interwoven throughout) to see if my guess was right. It was. It was very obvious, and not a surprise. I wish the author the best, but I would not recommend this book.

Let me preface this review by saying that there is a lot to like about this book: there are some wonderful descriptions ("He was a birdlike man with large spectacles and a receding hairline.") and some really nice subtle ways of introducing elements of unease, especially in the relationships between characters. The subplots were decent, tied into the main plot, and the story was quite focused.I wanted to like this book so much, and while there's a lot to like, I found myself wishing...what? That it was tighter? That the characters were a bit...more? The sneaking little annoyances were not there? I can't yet place my finger on it.It wasn't a bad read: I looked forward to getting back to it, I just found that during reading, it would kick on my inner snark...a sure sign that there are minor and unnecessary annoyances that keep yanking me out of the story experience because they sit under my skin like impossible-to-ignore splinters.I am a hugely particular reader, especially once I have an expectation, and I know that. That's why I'm giving the book 3.75 (read 4) stars:- it's a debut novel in a very tough genre with lots of expectations, and I think in general, it does quite well,- it doesn't read as amateurish, and all the bits that prompted me to remove stars will likely fall by the wayside in future works,- there is a decent plot and decent subplots,- there are some really wonderful phrases, descriptions, passages that also won my admiration (and off-set the bits that I had trouble with)- and last, but not least, producing a decent psychological suspense is VERY hard. I think the author deserves that recognition.That being said, I'm detailing the parts that annoyed me to the point of pulling me out of the story so that other readers with similar bugbears can gird their loins before reading. I think that I would find these items a lot more inconsequential if I had been prepared for them. That said, these are my bugbears. Maybe other readers don't care, so they can use this list to remove any doubts they have and jump into a good read..The things I wish had been different:1. The Prologue telegraphed the ending.Actually, the prologue was taken directly from one of the final scenes, word-for-word...although the prologue added an additional sentence or two. And it telegraphed too much: I found myself already knowing what the outcome of certain "pivotal" events would be and how they would probably affect the story just because of the prologue. And I'm not particularly gifted at figuring out the endings. Now, I am a stickler for Structure, and almost nothing galls me as much as the prologue ripped from the back yelling "Oh, wait! Keep reading...see? I get very exciting at the end!"No.Writer's job in thriller / psychological suspense is to make the trip so exciting that you want to be on it from the beginning. And that's HARD. That's why we only have one "Gone Girl" and one "The Girl on the Train"...the mob is fickle, demanding, smart and short-tempered. To get to that level is like lightning in a bottle, and this is the wrong way to catch it.And I can never bring myself to overlook that this form of prologue just feels lazy. And it ruins the story more than through the telegraphing: when the exciting scene finally arrived in it's proper location...I couldn't care less. You see...there was no surprise in it...no tension...I'd already experienced that scene on page 1. I ran my eyes across the words, hoping that there would be something new to discover from it....No. So the most action-driven and suspenseful scene is dead-in-the-water on page 3.I would STRONGLY suggest that unless you're one of the people who reads the last page first, just skip the prologue. Don't read it (you won't miss anything) and the story will probably be much more interesting and suspenseful.2. The Smoking Guns that were never fired or "Living in a Vanity Fair world":Unnecessary details. Obviously there will always be some, but the ones that are repetitively there need to be a part of the story in some way...and many were fluff.Clothing: Detailed descriptions of what the characters wore with no reason for the specifics: unless a particular shirt is later identified by the police, or you're hiding a clue...after the first key description for each character, you can just generalize with 'casual' or 'dressy'. Same for all characters...it's psychological suspense: we read for the actions, not the wardrobe and no amount of wardrobe will save a flat character anyway.Food: Or more particularly, the protagonist's food: the vegan-soy dietary specifics came up so often and in so much detail that I thought it would somehow be integral to the plot....no. Just window dressing. (My respects to the real vegan-soy afficionados out there...but this is a smoking gun that was never fired for me).Actually, when I look over them, the fluff was very particular...this was really about the author's need to have the reader imagine a very specific set of characters through clothing and food habits. But the story didn't need these specifics to work, so the details got in the way of the plot. And as a responsible reader, I don't mind the odd snippet to ground the individual, but trust my imagination a little.For example, the eco-responsible veganism has nothing whatsoever to do with the plot. Nor the husband's apparent obsession with architects and the houses they designed....it's fine to create the initial impression, but to continually return to it with fresh details re-asserting what we already knew was irritating, and by extension, the characters became more stereotypical.3.POV shifts or "I have ESP":Few and far between, but on occasion, the first person character make omnicient pov statements of other characters, aka "knowing" what is going through the heads of other characters, or their unspoken motives. Now, while this can be fine if the character is making assumptions that lead or mislead the character and thus the reader in the search for the solution, it must be presented as such AND be used for actual clues/red herrings. But here, it's always a brief slip into omniscient pov..... Gah. Example: "He hummed as he worked, his vain attempt at normalcy." Okay. Stuff is hitting the fan, but maybe he just wanted to relax...maybe the humming worked for him and it wasn't a vain attempt. Maybe he just had a tune stuck in his head...I don't mind if the the protagonist *thinks* that's why someone is doing something, but don't let them present their opinion as fact. Especially when there is nothing presented to support that. Readers in this genre are always on the lookout for the unreliable narrator, the reliable-yet-lying narrator, etc. We are waiting for the humming to be important...is he concealing something? Nope. Nothing there to conceal. So I spend 2 minutes wondering how she knows this...then thinking about all the people I know who do this and what I think they're really doing...and..I'm out of the story.4. Things that just don't work that way or The great un-suspension of belief:- Fixing a window latch with a wrench....that took me out of the story for a few minutes to try and figure out what sort of latch could even be fixed with a wrench and then a few more minutes to get grumpy at the ridiculousness I had been contemplating. And wishing the he wrench had been used to smash something or create a credibility issue of the handyman or accomplish an element of the plot....anything to thus create some reason for the wrench to have a walk-on role.- A photo showing a house built of ecologically-sustainable materials...which would be impossible to tell from a photo, which is why architects have to do a very complicated tracking of materials if that's what is required in a project. The building industry would be revolutionized overnight if you only needed a photo. (Oh, and there was really no reason for the house to have been built with ecologically-sustainable materials anyway, since the house was only a one-line presence....and it's ecological sustainabiilty had no story purpose).- Right at the end, the protagonist realizes the answer to something that's been nagging her since the beginning of the story, but she never mentions the nagging before...Not huge SPOILERS BELOW (in the same categories as above):1. Prologue:Okay, the prologue not only (in my mind) cast severe doubt on the guilt of the major suspect for most of the book, but it foretold the death of two characters, the "adjusted" relationship with the third.If you're going to reveal so much in the beginning, there had better be a mother of a twist later on...or take the lazy prologue from the middle, so we'll be turned on our heads... Sorry. It just really annoyed me.2. no spoiler points3. no spoiler points4. Things that just don't work that way:- A birth certificate with no father listed..."not even a line for the father's name" ...is a distraction: birth certificates in modern America are standardized forms with lines for all the data usually collected. There was a place for the father's name, even if the name wasn't listed.- A journal entry that reads as a letter and is signed by the writer of the journal. What? No one signs what they write in their journals with a letter-style closing greeting and their name! It's their journal. They usually aren't expecting people to read it except themselves...especially if they keep it in a drawer under their underwear!- A bartender who vouches for a character returning to their hotel room from the bar...because the bartender was serving in the bar at the time... And the character was no so blind drunk that the bartender had to accompany said character there. Now even the concierge would not have known if the character truly went to their room, but the on-duty bartender is not a credible witness here. This was also revealed at the end, so it wasn't even used to create the tension it could have by creating questions.I hope this helps potential readers with their decision of this book. I did finish it, don't regret finishing it, enjoyed a lot about it on the way...but there were some blips for me. And yes, I shall definitely look up the author's next work. We expect so much in this genre (and there are some truly masterful bestsellers that come out of it) but we must remember that all writers have a debut novel, and many of them only get better. Starting from this very respectable point, I have high hopes for the future works from this author.

Shadow Cove, Washington, is the kind of town everyone dreams about—quaint streets, lush forests, good neighbors. That’s what Sarah thinks as she settles into life with her new husband, Dr. Johnny McDonald. But all too soon she discovers an undercurrent of deception. And one October evening when Johnny is away, sudden tragedy destroys Sarah’s happiness. Dazed and stricken with grief, she and Johnny begin to rebuild their shattered lives. As she picks up the pieces of her broken home, Sarah discovers a shocking secret that forces her to doubt everything she thought was true—about her neighbors, her friends, and even her marriage. With each stunning revelation, Sarah must ask herself, Can we ever really know the ones we love?My Thoughts: From the first moments of sheer terror in the prologue to the slowly unfolding secrets and tragedies of the following pages, The Good Neighbor captured me. The setting in Shadow Cove was the perfect place to start a home and family, and the neighborhood with seemingly friendly people made it just the kind of place Sarah and her husband Johnny had been seeking.But Sarah, a writer of children’s books, starts to feel a niggling doubt almost immediately. It starts with the next door neighbors, Chad and Monique. Monique’s seductive ways hint at more beneath the surface when she whispers to the men in the room.Several strange phone calls suggest a stalker, but Sarah also fears that her husband has been unfaithful to her.Why does the realtor, Eris Coghlan, come across as a little bit too accommodating? What about the flirtatious way that Theresa Minkowski, another neighbor, seems to behave around Johnny? Is Sarah just insecure, or is there more going on?I was surprised, but not totally stunned when events unfolded as they did, and I had little trouble figuring things out. On the last page, however, another whopper was unleashed, reminding us that secrets just keep coming once the genie is released from the bottle. 4 stars.

This book is like eating Jelly Bellys. You can't eat just one. You just keep going. You know they're empty calories. You know you're just eating sugar. After the first bunch they stop tasting so good. Yet your hand keeps moving to your mouth and popping another one in. Until, your stomach starts feeling sick. Yes, this book is just like that. Junk food for the brain. Feels good at first but you soon realize how empty it is and how the enjoyment has stopped.

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