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Passing for Human: A Graphic Memoir
Download Ebook Passing for Human: A Graphic Memoir
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Review
“In its ambition, framing, and multiple layers, [Passing for Human] raises the bar for graphic narrative. Even fans of [Liana Finck’s] work in the New Yorker will be blindsided by this outstanding book.”—Kirkus Reviews (starred review) “A sure hit for readers of graphic memoirs, this explores feeling different while recognizing sameness in others and making art while embracing being a work-in progress oneself.”—Annie Bostrom, Booklist “Alienation is both blessing and curse in this elegant graphic memoir of being the odd woman out. . . . Finck’s whimsy acts as a microscope to better understand family, romance, and isolation. This story is as tender as it is wry. . . . Becoming human is a lifelong task—but Finck illustrates it with humor and panache.”—Publishers Weekly“Passing for Human is one of the most extraordinary memoirs I’ve ever read. It’s a story about becoming a person, about creativity, about love, all told with originality and grace. An amazing, amazing book.”—Roz Chast, author of Can’t We Talk About Something More Pleasant? “If even for a minute, somewhere along the way, you’ve wondered whether you may have been uneasily zipped into a human body, you need this book, a magical, moving, twelve-dimensional tale of fugitive soulmates and fugitive souls. No one draws like Liana Finck, and no one enchants like her either.”—Stacy Schiff, author of Cleopatra “Liana Finck has crafted an inventive, one-of-a-kind memoir that’s as heartfelt as it is unpredictable.”—Adrian Tomine, author of Killing and Dying
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About the Author
Liana Finck is a regular contributor to The New Yorker, The Awl, and Catapult. She is a recipient of a Fulbright Fellowship, a New York Foundation for the Arts Fellowship, and a Six Points Fellowship for Emerging Jewish Artists. She has had artist residencies with the MacDowell Colony, Yaddo, the Lower Manhattan Cultural Council, and Tablet magazine. Her first book, A Bintel Brief, was published in 2014.
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Product details
Hardcover: 240 pages
Publisher: Random House (September 18, 2018)
Language: English
ISBN-10: 0525508929
ISBN-13: 978-0525508922
Product Dimensions:
7.6 x 0.8 x 9.4 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
21 customer reviews
Amazon Best Sellers Rank:
#40,238 in Books (See Top 100 in Books)
I was very impressed by this book and its art. I also love new and fresh interpretation of the Genesis creation narrative which, in my opinion, is much better than traditional.
Dear Liana Finck,While I don't believe I've encountered your writing or drawings before, I have to say the title of this novel intrigued me so greatly that I was unable to turn down the opportunity to read it and share my experience of it. But, having just finished it, I fear I'm not quite up to the task. I can hardly convey how deeply it touched me nor the recognition of something I only fondly and vaguely remember now. I am at something of a loss for words. Thank you for showing me something that I needed, something important that I'd forgotten. I could try and tell you how much I enjoyed your book but I fear it would be wholly inadequate. All I can manage is to say thank you from the bottom of my heart.
My only prior experience with graphic novels was with Dennis Cooper’s rather vulgar Horror Hospital Unplugged, so despite knowing about a number of critically acclaimed works like Maus, Fun Home and Persepolis, I still carried around a bit of a prejudice that they're mostly like the underground comix of my youth. Ralph Bakshi and Robert Crumb being two of the more well-known purveyors of a genre deemed “adult†simply because they were filled with naked women and rampant drug use. More juvenile than adult, if you ask me. That said, I was pleasantly surprised by Liana Finck’s tender and melancholy memoir, Passing for Human. It’s the story of a young woman who feels like a misfit in the world and her attempts to understand the origins of these feelings of “otherness†and whether to deny or embrace them.Initially Finck focuses on her mother’s background for clues, but switches to her father because he seems more comfortable letting his freak flag fly. Ultimately, however, this is a woman’s story. We see how both Finck and her mother before her, in their desire to seem less threatening and more conventional, suppress the things that make them unique, smothering their own artistic essence in order to be accepted by men. I’m familiar with Finck’s work as a cartoonist for the New Yorker magazine and her unabashedly primitive style lends itself to a woman reaching back into her past and seeing the world through the eyes of a child.This book really sneaks up on you. The ending is quite moving – both sad and hopeful at once. I was surprised that a graphic novel could have such power. During this new age of resurgent feminism, I think Passing for Human is timely and relevant.
Liana Finck has created a poignant and meaningful memoir that addresses profound existential questions. What does it mean to be “otherâ€? Is creativity an attempt to find what has been lost? How are personal and familial characteristics transmitted through the generations?The author is lonely and conflicted. Relationships are difficult. She is consumed by doubt and fears which she brilliantly represents by drawing herself with rats on each shoulder; “our heroine’s fears gnaw at her like ratsâ€. Her shadow represents her authentic and creative self. When she denies her unique otherness, she “loses her shadowâ€.We are also presented with a personal and female interpretation of various biblical stories that relate to her personal journey. The drawing style is simple and effective, generally black pen lines on white with one section reversed to white on black. You won’t find brilliant representation here. By no means is this a “comicâ€. There are no superheroes. In no sense is this a storyboard for an adventure movie. What you will find is an approachable, meaningful and poignant memoir that has great emotional resonance.
Ms Finck explains several times, "A draw-er doesn't draw because she loves to draw. She doesn't draw because she draws well. She draws because once she lost something and by drawing - -she will find it again. In this, her graphic memoir, Ms Finck tries to show what indeed she lost and must find. Her writing of "Passing for Human" is her tool for this search. She writes the book so named five times. The first - her mother's story - she tears up after being gnawed on by doubt in the form of rats and begins to write the book again and, at one of the rats suggestion it is the story of her father.The rats of doubt, however, tell her "You shouldn't have dragged your kind well-adjusted dad into your neurological coming of age story. Well, you know the drill. Rip it up. Start at the beginning." And so she does, It's a story of schools, tyrannical nuns, mean children, loneliness and the loss of a loved pet dog. On her own she crumbles the story and tries again. This time "Passing for Human" is the tale of a relationship with a man that did not work out. As she reflects on her life she says "as a child, I had only stories. The stories my mother told me. She made a House that was the Garden of Eden, and she put me inside it. When I grew up, I couldn't stay there, What I must do now is make my own story. To Live in it. To survive." What follows is the last Passing for Human book. The general course of the complete story is a journey from blaming and victamhood to taking charge of her life.- a worthy trip indeed.Each "Book" has a tile page and each is different. There is the tile on field of yellow on each and each is framed by black and white drawings. Of these the last is unique being a riot of living, acting children animals and God. In the book Ms Finck tells stories based on stories from the Hebrew Bible and as Jenny Lawson noted in her fine N.Y Times review (9/30/2018) makes much of light, shadows, otherness, isolation. It's truly a rich book with many facets. It's quite good. Recommended
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